Part of the attraction of developing fibre art works based on fabric manipulation techniques is based on the unpredictable and very dramatic results that can be achieved simply by twisting and folding fabrics in ways that are either sympathetic to or ‘work against’ the existing warp and weft of a woven fabric, a length of woven fabric ‘cut on the bias’, or a length of knitted or crocheted fabric that that can stretched in a range of different ways.
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